Graphic & Type Designer
Belo Horizonte, Brazil
Belo Horizonte, Brazil
info@pedrodealbergaria.com
linked.in/pedrodealbergaria ︎︎︎
linked.in/pedrodealbergaria ︎︎︎
Awards
2026 iF Design Award︎︎︎
Winner · Publishing
2025 Brazil Design Award︎︎︎
Bronze · Editorial Design, Books
A book that is landscape. Root, seed, leaf and flower – Visual Essays on Inhotim Gardens turns reading into an immersive experience. Printed in large format, it translates the monumental scale of Inhotim’s botanical collection through powerful images, historical texts, and technical records. The design transforms scientific content into a sensorial journey, revealing the magnitude, diversity, and poetry of one of Latin America’s most remarkable botanical gardens.
22 × 31 cm
240 pages
Hardy Design
Creative Direction: Mariana Hardy
Executive Direction: Cynthia Massote
Design Manager: Pedro de Albergaria
Design: Helena Cintra and Leo Passos
Project Management: Izabela Rodrigues
Production: Daniele Pires and Pedro Stauffer
Photography: João Marcos Rosa
2026 iF Design Award︎︎︎
Winner · Publishing
2025 Brazil Design Award︎︎︎
Bronze · Editorial Design, Books
A book that is landscape. Root, seed, leaf and flower – Visual Essays on Inhotim Gardens turns reading into an immersive experience. Printed in large format, it translates the monumental scale of Inhotim’s botanical collection through powerful images, historical texts, and technical records. The design transforms scientific content into a sensorial journey, revealing the magnitude, diversity, and poetry of one of Latin America’s most remarkable botanical gardens.
22 × 31 cm
240 pages
Hardy Design
Creative Direction: Mariana Hardy
Executive Direction: Cynthia Massote
Design Manager: Pedro de Albergaria
Design: Helena Cintra and Leo Passos
Project Management: Izabela Rodrigues
Production: Daniele Pires and Pedro Stauffer
Photography: João Marcos Rosa
Wedding
invitation and illustration for Luisa and Igor. The ceremony was planned to take
place during a lunar eclipse in Caraíva, a small paradisiac village on the
northeast shore of Brazil. Located on a peninsula where the river encounters the sea,
Caraiva's waters keep changing colors throughout the day, inspiring the print
created for the project. Applied on a poster, which also works as an envelope,
and paired with simple typography, the project tries to evoke a beach momentum
with shifting nuances.
Photos: Mateus Lustosa
Photos: Mateus Lustosa
Vão is João
Tonucci’s first book of poems. It comprises forty-one poems written over two
years of production. The editorial project gives life to the poetic narrative,
transposing the various meanings of the vão (“gap” in Portuguese) into a
contemporary language. The minimalist layout has typography as a protagonist,
and it is materialized through artisanal processes, such as screen printing.
The usual image of the gap as a hollow and free structure is here filled by the
sense of emptiness and banality also evoked by the book’s title, outlining the
geography of a disastrous every day, sometimes useless, but still half-open.
13 × 20 cm
80 pages
Print Production: Impressões de Minas
Photos: Mateus Lustosa
13 × 20 cm
80 pages
Print Production: Impressões de Minas
Photos: Mateus Lustosa
Award
2024 Brazilian Graphic Design Biennial︎︎︎
Highlight · Album Covers
Cover design for “Será que você vai acreditar?”, the sixth album in Fernanda Takai’s solo career. The idea was to reinforce the surrealist, ironic and humorous aspect of the cover image conceived by artist Renato Larini. The language of collages, the aesthetics of book and archive labels, connecting with the idea of collecting and cataloging. The solution pays homage to an antique editorial design and combines a nostalgic vibe with a contemporary aesthetic.
Hardy Design
Creative Direction: Mariana Hardy
Executive Direction: Cynthia Massote
Design: Pedro de Albergaria
Project Management: Izabela Rodrigues
Photo: Leo Passos and Mateus Lustosa
2024 Brazilian Graphic Design Biennial︎︎︎
Highlight · Album Covers
Cover design for “Será que você vai acreditar?”, the sixth album in Fernanda Takai’s solo career. The idea was to reinforce the surrealist, ironic and humorous aspect of the cover image conceived by artist Renato Larini. The language of collages, the aesthetics of book and archive labels, connecting with the idea of collecting and cataloging. The solution pays homage to an antique editorial design and combines a nostalgic vibe with a contemporary aesthetic.
Hardy Design
Creative Direction: Mariana Hardy
Executive Direction: Cynthia Massote
Design: Pedro de Albergaria
Project Management: Izabela Rodrigues
Photo: Leo Passos and Mateus Lustosa
Book design
for journalist and lawyer Rogério Faria Tavares. The IHGB (Brazilian Historic
and Geographic Institute) is the oldest cultural institution in Brazil, founded
in 1838 to collect, publish and archive documents relevant to Brazil's history
and geography. The publication "Contribuições para a história do
IHGB" gathers testimonies of 37 influential personalities linked to the
institute's history. The project dialogues with the institute's iconography to
reinforce the notion of preservation, homage, and respect.
14 × 22 cm
688 pages
Print Production: Gabriela Silva
Photos: Mateus Lustosa
14 × 22 cm
688 pages
Print Production: Gabriela Silva
Photos: Mateus Lustosa